His shop is thought to have greatly influenced the aesthetic interests of local patrons. S54 1793) and Thomas Hope’s Household Furniture and Interior Decoration (1807). Phyfe’s greatest contribution to the industry was perhaps his role in introducing the city to a unique blend of the English Neoclassical and Regency styles-found in design books such as Thomas Sheraton’s The Cabinet-Maker and Upholsterer’s Drawing-Book (1793 NK2229. A watercolor ( 22.28.1) rendering of Phyfe’s operation illustrates the extent of his production capabilities, which many of New York’s wealthy residents frequented for their furnishing needs. Over the next two decades, Phyfe purchased a number of properties on Fulton Street ( ) near City Hall and New York’s most fashionable shopping destinations to house his manufactory and wareroom. By 1800, he had established himself as a cabinetmaker on the move. He settled with his family in Albany before relocating to New York City in 1791. Phyfe came to the United States from Scotland in 1784. Americans throughout the young nation considered their work to be the pinnacle of taste and sophistication. Both immigrant craftsmen, they established a distinctive New York style of cabinetmaking that incorporated contemporary European design. During the first decades of the nineteenth century, Duncan Phyfe and Charles-Honoré Lannuier were the acknowledged leaders of the New York furniture trade.
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